BACKGROUND The project is an attempt to apply the agents mentioned in research paper on strategies in arts to create new attentional forms. A previous work, Tomorrow in a Glass, is selected and reworked to include agents including concrete & defamiliarization, chance & indeterminacy and breaking the fourth wall. The original version of the work …
#未能鎮靜 #videosculpture #movingimages #objects #windows #space ARTWORK STATEMENT The windows are opened. Let’s look out. Oops, the view is gone. Something is trembling… Or is it my mind? When concussion happens, what can we do besides to stare? Xanax is a minor tranquilliser commonly used for the treatment of anxiety disorders. BACKGROUND With an intention …
In his works, Bernard Stiegler proposed the bifurcations of every kind as an act to resist the broad production in economic and political rationality induced by digital grammatization (i.e. the process of recording, reproducing, discretising and spatialising the mental temporal flows of people), that limits imaginations. Stiegler named works of art as one of the …
#curatorialproject #videography #movingimages #singlechannelscreening #installation #micronarratives CURATORIAL STATEMENT Lingering Liminality: the realm of process, experimentation and the in-between takes on as an extension stemmed from the series of experimentations during the Micro-Narratives studio sessions. From diving into thick conversations on videography to stepping in and out of the boundless scope of video experimentation, artists fully …
Continue reading "LINGERING LIMINALITY: the realm of process, experimentation and the in-between"
#花語連篇 #installation #scent #experiential #feminism #sound #consumerism BACKGROUND Women grow under influences of all sorts, TV shows, commercials, films, peers... informally being educated to become perfect ladies in the eyes of the world. Floriography is an installation that isolates audience with immersive sound and scent, audience are invited to experience a private inner journey of …
The videos are made to inscribe the viewers for active participation in several different approaches. Dialogue: Moon-Light of Tseung Kwan O (1′) A directed eye movement is involved in the video, there is always a part being very active within the frame and the the active area is jumping from one side of the frame to …
The images, footages and works are considered objects to be used as raw materials to create more works and to test the potentials of the objects/ images. The conversation approach The use of motifs to create conversations in Dialogue: Moon-Light of Tseung Kwan O is transformed with additional time-space in Lullaby for the Insomniacs. The …
Still & Moving Images The possibilities of still image in a video is explored during the creation of Out of Xanax. Only part of the still image is shown one at a time through the square frame of the video, this result in a moving sequence that leads a trajectory in the viewing experience. Floating …
"No matter how skillful the painter, his work was always in fee to an inescapable subjectivity." (Bazin p.12) During the creative process, I gave more attention to the recording power of the camera and the properties unique to a digital videos. In Dialogue: Moon-Light of Tseung Kwan O and some parts of Lullaby for the Insomniacs …
To create a moving image work is a process of attentive capturing and continuous discovery. It is not only about recording something with a camera, but to know its indexical and documentary quality, its ability to bring raw information without our usual translation. The images require our mindful and active perception to unveil the unintended …
