Reflection 010 – Audience activation

The videos are made to inscribe the viewers for active participation in several different approaches. Dialogue: Moon-Light of Tseung Kwan O (1′) A directed eye movement is involved in the video, there is always a part being very active within the frame and the the active area is jumping from one side of the frame to …

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Reflection 008 – Objectile

The images, footages and works are considered objects to be used as raw materials to create more works and to test the potentials of the objects/ images. The conversation approach The use of motifs to create conversations in Dialogue: Moon-Light of Tseung Kwan O is transformed with additional time-space in Lullaby for the Insomniacs.  The …

Reflection 007 – Optical Unconscious & Perceptual experience

The camera is there to capture what is in front of it without the transformation/ translation by our brains, close to Nichols' idea of "bracketed perception" which provides "information" before mediated/ comprehend by human (Nichols p.13).  Technology allows us to attain a unprocessed reality and widen our range of senses. For me, there is another phase …

Reflection 004 – Spatialization

White Night 不夜天 2017/ Video installation/ Dimension variable #installation #movingimage #video #spatialization #expandedcinema Intention The work is set out to invent a space that provides an immersive experience where objects and moving images communicate the current sentiment of Hong Kong, while the viewers are bystanders to observe. Reflection 1, written on Nov 30 2017 The …

Reflection 003 – Lullaby for the Insomniacs

2017/ 3’/ Single channel video/ Stereo #materialist #indexicaltransparency #opticalunconscious #objectile #micronarratives Intention To make use of two other video works (Dialogue: Moon-light in Tseung Kwan O and Out of Xanax) as raw material to create a nocturnal excursion through indoor, outdoor and the psychological.   Reflection 1, written on Nov 17 2017 The work transports …